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Marshall
Crenshaw |
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| Marshall
Crenshaw Marshall Crenshaw 1982 Warner Bros. Records |
There
She Goes Again Someday, Someway Girls . . . I'll Do Anything Rockin' Around in NYC The Usual Thing |
She
Can't Dance Cynical Girl Mary Anne Soldier of Love Not for Me Brand New Lover |
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| Brilliant! Absolutely brilliant! Beatle-y, but original. In fact, Crenshaw played the part of John Lennon in the Broadway production of Beatlemania. | |||||||
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| Marshall
Crenshaw Field Day 1983 Warner Bros. Records |
Whenever You're On
My Mind |
For
Her Love Monday Morning Rock All I Know Right Now What Time is It? Hold It |
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What a great
album! Pure pop perfection, from beginning to end. If you can only get
one Marshall
Crenshaw album . . . |
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| Marshall
Crenshaw Downtown 1985 Warner Bros. Records |
Little
Wild One (No. 5) Yvonee Blues is King Terrifying Love Like a Vague Memory |
The
Distance Between (We're Gonna) Shake Up .............. ........ Their Minds I'm Sorry (But So is ............ .......... Brenda Lee) Right Now Lesson Number One CD Bonus Track: Somedbody Like You |
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| Nothing really earth-shattering here. Just great music. | |||||||
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| Marshall
Crenshaw Mary Jean & 9 Others 1987 Warner Bros. Records |
This
is Easy A Hundred Dollars Calling Out for Love .................. (at Crying Time) Wild Abandon This Street |
Somebody's
Crying Mary Jean Steel Strings 'Til That Moment They Never Will Know |
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| Again, nothing special, just good tunes done well. | |||||||
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| Marshall
Crenshaw Good Evening 1989 Warner Bros. Records |
You
Should've Been There Valerie She Hates to Go Home Someplace Where Love Can't .................... Find Me Radio Girl |
On
the Run Live It Up Some Hearts Whatever Way the Wind Blows Let Her Dance |
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| His last for Warner Bros. Records, and it could have been better. Not that it's bad, it's just not special. | |||||||
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| Marshall
Crenshaw Life's Too Short 1991 Paradox Records |
Better
Back Off Don't Disappear Now Fantastic Planet of Love Delilah Face of Fashion |
Stop
Doing That Walkin' Around Starting Tomorrow Everything's the Truth Somewhere Down the Line |
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| A
great record, but no one heard it. This album marks the first of the independent
labels Crenshaw recorded on, and the age old problem still existed: independent, labels allow great artists who can't score a major label to record, but the independents don't have the money to promote the disc. Talk about a paradox. |
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| Marshall
Crenshaw Live . . . My Truck is My Home 1994 Razor & Tie Records |
Fantastic
Planet of Love Wanda and Duane You're My Favorite Waste ..... ..... ..... ..... ..... of Time Vague Memory Tonight Calling Out for Love ..... ..... .... (at Crying Time) Twine Time |
Julie Cynical Girl Have You Seen Her Face There She Goes Again Girls . . . Knowing Me, Knowing You You Should've Been There |
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| Live
albums are really a lost art. Consider the great live records of the 70s
(Kiss Alive!, Frampton
Comes Alive!, even Lynyrd Skynyrd's One More from the Road); I can't think of any live albums in the 80s or 90s that match these landmark albums. Still, some are nice to have since I never got to see someof them perform. Like Marshall. A good, fun, live album. |
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| Marshall
Crenshaw Miracle of Science 1996 Razor & Tie Records |
(Soundbite) What Do You Dream Of? Who Stole That Train Laughter Twenty-five Forty-one Starless Summer Sky |
Only
an Hour Ago A Wondrous Place The "In" Crowd Theme from"Flaregun" Seven Miles an Hour There and Back Again |
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| A
great record nobody heard! The problem with small labels is that they don't
have the money or know-how for a big promotional push of their products. Lively, fun songs with a passion no teeny bopper could ever hope to match, this album is prime Marshall. Too bad the label couldn't promote it the way it should have been. |
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| Marshall
Crenshaw #447 1999 Razor & tie Records |
Opening Dime a Dozen Guy Television Light Glad Goodbye West of Bald Knob |
Tell
Me All About It Ready Right Now Eydie's Tune T.M.D. Right There in Front of Me You Said What?? |
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| Now
he's releasing music he cares about. You can tell when an artist graduates
from trying to record singles for airplay and success, to recording music that makes him or her feel alive. Marshall finally does that with this record. It's easy going, relaxed, pensive music that only his fans will truly appreciate. This album is for art's sake. And after all these years, he's entitled. |
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